Anaya
Sehgal
Mumbai-based actor and editorial model. FTII Pune · Barry John Mumbai. Theatre at Prithvi + NCPA. Lead in *Kahin Aur* (2024). Recurring on Made In Heaven S3.
Atul Kasbekar Studio · Bandra · 2025
The actor in stillness.
Mumbai · Available Pan-India + International
Mumbai-based actor and editorial model with 6 years on stage and 3 years on screen. Trained at FTII Pune (Acting · 2021) and Barry John Acting Studio Mumbai (2019).
Front of camera since 18 — Femina cover (Mar 2025), Vogue India fashion editorial (Aug 2024), 9 commercials for Tanishq, Tata Cliq, Lakmé, Myntra, Asian Paints, Volkswagen, HDFC Life, Nykaa, and Zomato Gold. Recurring role in Made In Heaven Season 3 (Amazon Prime, 2025) and lead in the Aditya Sarpotdar feature Kahin Aur (festival circuit, 2024).
Theatre roots: lead at Prithvi Theatre (Mahesh Dattani's Final Solutions, 2023), Stagecraft NCPA (Manjula Padmanabhan's Lights Out, 2022), and Akshay Sajjan's adaptation of Bedroom Farce (NCPA, 2024).
- 2021FTII PunePG Diploma · Acting · One-year intensive · Class topper
- 2019Barry John Acting Studio · MumbaiTwo-year evening conservatory · Stanislavski + Meisner foundation
- 2018Lady Shri Ram College · DelhiBA English Literature · Drama Society lead · 4 productions
The looks.
18 editorial, commercial and theatrical frames · 2022–2025 · all rights with respective publications.
Two minutes,
thirty-eight seconds.
A 2024 selection — a cold open from Kahin Aur, a Prithvi monologue, a Lakmé spot, and the Tata Cliq edit. Sound on.
Showreel · 2024 · Edit by Aanand Bansal · Music: Tanya Wells
The comp card.
Casting director sees 200 of these a day. Yours has to read in 4 seconds — name, look, stats, agent. Print A5 · digital PDF · same shape.
ANAYA
ANAYA SEHGAL · Mumbai
Hindi · native · English · fluent · Punjabi · conversational · Marathi · working
14 credits · 2022 → today.
"…unhurried,
watchful, the body settled."
Selected coverage from Vogue, Filmfare, Mid-Day, The Hindu, and the festival circuit.
Anaya Sehgal is the modern Indian heroine — quiet, exact, and unafraid of stillness
"She holds a frame the way a film actor of an earlier decade would — unhurried, watchful, the body settled before the line lands. The scene tilts toward her without effort."
5 Faces to Watch — Independent Cinema 2025
"Sarpotdar's *Kahin Aur* is a small film with one large performance at its centre. Sehgal carries a runtime mostly silent and never lets it sag."
Theatre to OTT — and back again: Anaya Sehgal's rare two-way street
"Most actors use stage as a passport to screen. Sehgal walks back to Prithvi between OTT shoots like she's coming home for the holidays."
*Kahin Aur* review: A debut feature anchored by quiet acting
"Anaya Sehgal's lead performance is the film's spine — a young woman remembering a love she cannot quite identify, played without a single hysterical note."
Talent Hunt Studios
Mr. Karan Mehta
All scripted projects route via Talent Hunt. Direct DM accepted for editorial + commercial print.
For casting
directors only.
Send the project brief and we'll route it through Talent Hunt Studios the same day. For TVCs and editorial print, the actor reads inquiries within 24 hours and replies direct.
For agents seeking representation handover, please write to casting@talenthuntstudios.in directly.
- 01Project briefTitle (working OK), genre, role description, dates, location.
- 02Budget bandTVC / editorial / OTT / theatrical · helps us prioritise routing.
- 03Same-day routingSent to agent + actor · we triage, they reply within 24 hours.
- 04NDA on requestConfidential briefs accepted; one-page mutual NDA emailed back same day.
Collaborators · Directors + Casting
“Anaya carries silence the way most actors carry monologue. *Kahin Aur* needed a lead who could hold a 90-second take where almost nothing happens — and let the audience fill the room. Three days into the read, I knew I had her.”
“On the Vogue August 2024 shoot we were running 2 hours behind on a 6-look schedule. Anaya hit each look in two frames; we made the brief on time and shot one extra cover-quality frame at 7:48 PM. The editorial team kept that frame as the cover.”
“मैंने Anaya को NSD में देखा था — *Tilism Hoshruba*, 2022. ensemble में बीस लोग थे, उसकी पहली एंट्री में पूरा हॉल चुप हो गया। उस लड़की में रंगमंच का अनुशासन है — मराठी अभ्यंगन वाला quality.”
“Working with Anaya on the Tanishq Diwali edit — three locations across Jaipur, two days, eleven outfits. She did one camera test and locked it. Continuity, blocking, mark-hitting — perfect. We finished at noon on day two and shot a bonus reel for Mia.”
“Anaya was on Final Solutions at Prithvi for 38 shows. Twelve of those were on a stage with one prop and the actor opposite changing twice. She held the room the same way every night. As a casting director that's the discipline I want — predictable excellence, not luck.”